Iestyn Davies

1

Messiah, HWV 56 (1751 version):Part I: Aria: But who may abide the day of His coming (Countertenor)

HANDEL, G.F.: Messiah (1751 version) (New College Oxford Choir, Academy of Ancient Music, E. Higginbottom)

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2

Messiah, HWV 56 (1751 version):Part I: Aria: He shall feed His flock like a shepherd (Countertenor, Treble)

HANDEL, G.F.: Messiah (1751 version) (New College Oxford Choir, Academy of Ancient Music, E. Higginbottom)

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3

Messiah, HWV 56 (1751 version):Part II: Aria: Thou art gone up on high (Countertenor)

HANDEL, G.F.: Messiah (1751 version) (New College Oxford Choir, Academy of Ancient Music, E. Higginbottom)

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4

Messiah, HWV 56 (1751 version):Part I: Aria and Chorus: O thou that tellest good tidings to Zion (Countertenor)

HANDEL, G.F.: Messiah (1751 version) (New College Oxford Choir, Academy of Ancient Music, E. Higginbottom)

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5

2 Songs, Op. 4: No. 2, Lydia

The Complete Songs of Fauré, Vol. 1

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6

Rodelinda, regina de’ Longobardi, HWV 19, Act 3 Scene 8: Aria. Vivi, tiranno (Bertarido)

Handel: Rodelinda

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7

Ode for Queen Mary's Birthday (Come, Ye Sons of Art Away), Z. 323:No. 3, Aria "Come, ye sons of art" (Alto)

Sound the Trumpet - Royal Music of Purcell and Handel

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8

Rodelinda, regina de’ Longobardi, HWV 19, Act 1 Scene 6: Aria. Dove sei, amato bene? (Bertarido)

Handel: Rodelinda

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9

Vergnügte Ruh', beliebte Seelenlust, BWV 170: No. 1, Aria: Vergnügte Ruh', beliebte Seelenlust

Bach: Cantatas Nos. 54, 82 & 170

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