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Marco Gaggini

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Top Songs

50 songs

#1

Symphony No.3 in F Op.90 - for two pianos:3. Un poco allegretto

💿 Symphony No.4 in E minor, Op.98 - for two pianos

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#2

Symphony No.4 in E minor Op.98 - for two pianos:3. Presto giocoso

💿 Symphony No.4 in E minor, Op.98 - for two pianos

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#3

Symphony No.4 in E minor Op.98 - for two pianos:4. Allegro energico e passionato

💿 Symphony No.4 in E minor, Op.98 - for two pianos

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#4

Untitled in A Major

💿 Cilea Collection (Italian Romantics)

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#5

Sentiment poétique

💿 Cilea Collection (Italian Romantics)

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#6

Chansonnette, Op. 31

💿 Cilea Collection (Italian Romantics)

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#7

Amour joyeux, Op. 37

💿 Cilea Collection (Italian Romantics)

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#8

I. Lully aux Champs Élysées, concertant avec les ombres lyriques. Gravement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#9

III. Vol.de Mercure aux Champs Élysées pour avertir qu'Apollon y va descender. Très vite

💿 Couperin: Complete Published Trios for Two Harpsichords

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#10

IV. Descente d'Apollon qui vient offrir son violon à Lully et sa place au parnasse. Noblement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#11

V. Rumeur souterraine causée par les auteurs contemporains de Lully. Vite

💿 Couperin: Complete Published Trios for Two Harpsichords

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#12

VI. Plaintes des mêmes pour de flûtes ou des violons très adoucis. Dolemment

💿 Couperin: Complete Published Trios for Two Harpsichords

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#13

VII. Enlèvement de Lully au parnasse. Très légèrement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#14

VIII. Accueil entre doux et hagard fait à Lully par Corelli et par les muses italiennes. Largo

💿 Couperin: Complete Published Trios for Two Harpsichords

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#15

XII. Corelli jouant le sujet à son tour, que Lully accompagne. Second air

💿 Couperin: Complete Published Trios for Two Harpsichords

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#16

XIV. Saillie. Rondement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#17

XIV. Saillie. Vivement (2)

💿 Couperin: Complete Published Trios for Two Harpsichords

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#18

III. Corelli buvant à la source d'hippocrène. Sa troupe continue. Modérément

💿 Couperin: Complete Published Trios for Two Harpsichords

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#19

IV. Enthousiasme de Corelli causé par les eaux d'hippocrène. Vivement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#20

V. Corelli après son enthousiasme, s'endort et sa troupe joue le sommeil suivant. Très doux

💿 Couperin: Complete Published Trios for Two Harpsichords

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#21

VII. Remerciement de Corelli. Gaiement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#22

I. Sonade. Gravement, et mesuré - Vivement - Doux et affectueusement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#23

III. Première courante. Noblement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#24

IV. Seconde courante. Un peu plus vivement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#25

V. Sarabande. Gravement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#26

VI. Gigue lourée. Modérément

💿 Couperin: Complete Published Trios for Two Harpsichords

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#27

VII. Gavotte. Tendrement, sans lenteur

💿 Couperin: Complete Published Trios for Two Harpsichords

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#28

VIII. Rondeau. Affectueusement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#29

IX. Bourrée et Double de la bourrée précédente. Gaiement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#30

X. Passacaille. Noblement et marqué - Vivement et fort

💿 Couperin: Complete Published Trios for Two Harpsichords

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#31

I. Sonade. Gravement - Rondement - Gaiement - Gravement - Vivement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#32

VI. Gigue. Gaiement

💿 Couperin: Complete Published Trios for Two Harpsichords

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#33

VII. Chaconne ou passacaille. Modérément - Vif et marqué

💿 Couperin: Complete Published Trios for Two Harpsichords

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#34

5 Pieces for Orchestra, Op. 16: I. Vorgefühle

💿 Schoenberg Chamber Symphonies, Five Pieces, Op. 16

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#35

5 Pieces for Orchestra, Op. 16: II. Vergangenes

💿 Schoenberg Chamber Symphonies, Five Pieces, Op. 16

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#36

5 Pieces for Orchestra, Op. 16: III. Farben

💿 Schoenberg Chamber Symphonies, Five Pieces, Op. 16

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#37

Kammersymphonie No. 2, Op. 38: II. Con fuoco

💿 Schoenberg Chamber Symphonies, Five Pieces, Op. 16

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#38

Kammersymphonie, Op. 9

💿 Schoenberg Chamber Symphonies, Five Pieces, Op. 16

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#39

5 Pieces for Orchestra, Op. 16: IV. Peripetie

💿 Schoenberg Chamber Symphonies, Five Pieces, Op. 16

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#40

5 Pieces for Orchestra, Op. 16: V. Das obligate Rezitativ

💿 Schoenberg Chamber Symphonies, Five Pieces, Op. 16

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#41

Kammersymphonie No. 2, Op. 38: I. Adagio

💿 Schoenberg Chamber Symphonies, Five Pieces, Op. 16

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#42

Four Hands Music: Sentiment poétique

💿 Cilea: Complete Piano Music

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#43

Four Hands Music: Amour joyeux, Op. 37

💿 Cilea: Complete Piano Music

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#44

Idillio

💿 Cilea: Complete Piano Music

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#45

Four Hands Music: Untitled in A Major

💿 Cilea: Complete Piano Music

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#46

Four Hands Music: Chansonnette, Op. 31

💿 Cilea: Complete Piano Music

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#47

Alla gavotte

💿 Cilea: Complete Piano Music

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#48

Symphony No.1 in C minor Op.68 - for two pianos:2. Andante sostenuto

💿 Symphony No.4 in E minor, Op.98 - for two pianos

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#49

Symphony No.1 in C minor Op.68 - for two pianos:3. Un poco allegretto e grazioso

💿 Symphony No.4 in E minor, Op.98 - for two pianos

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#50

Symphony No.2 in D Op.73 - for two pianos:1. Allegro non troppo

💿 Symphony No.4 in E minor, Op.98 - for two pianos

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