Lyrics: Stephen Sondheim Music: Stephen Sondheim [FRANK, spoken] How's it going?
[CHARLEY, spoken] Good. You?
[FRANK, spoken] Fair
[CHARLEY, spoken] Yeah, tell me
[The phone rings; FRANK answers.]
[FRANK, spoken] Chinese laundry
[MARY, spoken] Hi
[FRANK, spoken] Mary
[CHARLEY, spoken] Say hello
[MARY] I think I got a job
[FRANK, spoken] Where?
[MARY, spoken] True Romances
[FRANK, spoken] Posing?
[MARY, spoken] Thank you Writing captions
[FRANK, spoken] What about the book?
[MARY, spoken] What about the book?
[FRANK, spoken] Nothing, are you working on your book?
[MARY, spoken] Yes... [FRANK, spoken] Good
[MARY, spoken] No...
[FRANK, spoken] Mary—
[MARY, spoken] Right, I know, yes, me and Balzac...
[CHARLEY] I finished the one-act
[FRANK] I got an audition—
[MARY] I started the story
[FRANK] Rehearsal pianist
[CHARLEY] So where are we eating? [MARY] I'm moving toĀ Playboy
[FRANK] The publisher called me
[CHARLEY] I'm doing a rewrite
[MARY] My parents are coming
[FRANK] I sawĀ My Fair Lady
[CHARLEY] I rewrote the rewrite
[FRANK] I sort of enjoyed it
[MARY] I threw out the story
[CHARLEY] I'm meeting an agent
[FRANK, CHARLEY & MARY] We'll all get together on Sunday We're opening doors Singing, "Here we are!" We're filling up days on a dime That faraway shore's Looking not too far We're following every star— There's not enough time!
[FRANK] I called a producer
[CHARLEY] I sent off the one-act
[MARY] I started the story
[FRANK] He said to come see him
[CHARLEY] I dropped out of college
[MARY] I met this musician
[FRANK] I'm playing a nightclub
CHARLEY They're doing my one-act!
[MARY] I'm moving toĀ Redbook
[FRANK] I rewrote the ballad
MARY I finished the story
[CHARLEY] We started rehearsals
[MARY] I threw out the story And then the musician I'm moving toĀ Popular Science
[FRANK, CHARLEY & MARY] We're opening doors Singing, "Look who's here!" Beginning to sail on a dime That faraway shore's Getting very near! We haven't a thing to fear— We haven't got time!
[FRANK] Bum-bum-bum-da-da da-da Bum-bum-bum-bum-bum bum-ba
[FRANK, spoken] How's it coming?
[CHARLEY, spoken] Good. You?
[FRANK, spoken] Done!
[CHARLEY, spoken] One minute...
[The phone rings; FRANK answers.]
[FRANK, spoken] Hamburg Heaven
[MARY, spoken] Hi
[FRANK, spoken] Mary
[CHARLEY, spoken] Say hello
[MARY] I got another job
[FRANK, spoken] Where?
[MARY, spoken] "Chic"
[FRANK, spoken] What's that?
[MARY, spoken] A brand-new concept: Pop-up pictures
[FRANK, spoken] What about the book?
[MARY, spoken] What about the book?
[FRANK, spoken] Did you give the publisher the book?
[MARY, spoken] Yes...
[FRANK, spoken] Good
[MARY, spoken] No...
[FRANK, spoken] Mary—
[MARY, spoken] Look, I never—
[CHARLEY, spoken] Finished!
[FRANK, spoken] Let me call you back
[MARY, spoken] Right
[CHARLEY, spoken] This is just a draft
[FRANK, spoken] Right
[CHARLEY, spoken] Probably it stinks
[FRANK, spoken] Right
[CHARLEY, spoken] I haven't had the time to do a polish—
[FRANK, spoken] Will you sing!
[CHARLEY, spoken] Right!
[CHARLEY] Who wants to live in New York? Who wants the worry, the noise, the dirt, the heat? Who wants the garbage cans clanging in the street? Suddenly I do...
[During the above, JOE JOSEPHSON has appeared and starts to listen judiciously: FRANK and CHARLEY are auditioning for him.]
[CHARLEY] They're always popping their cork—
[CHARLEY, spoken] I hate that line—
[CHARLEY] The cops, the cabbies, the salesgirls up at Saks You gotta have a real taste for maniacs— Suddenly I do!
[JOE] That's great! That's swell! The other stuff as well It isn't every day I hear a score this strong But fellas, if I may There's only one thing wrong:
There's not a tune you can hum There's not a tune you go bum-bum-bum-di-dum— You need a tune to go bum-bum-bum-di-dum— Give me a melody!
Why can't you throw 'em a crumb? What's wrong with letting 'em tap their toes a bit? I'll let you know when Stravinsky has a hit Give me some melody!
Ah sure, I know It's not that kind of show But can't you have a score That's sort of in between? Look, play a little more I'll show you what I mean!
[CHARLEY] Who wants to live in New York? I always hated the dirt, the heat, the noise But ever since I met you, I—
[JOE] Listen, boys Maybe it's me But that's just not a Hum-mm-mm-mm-mm-mm-mm-mable melody! Write more, work hard— Leave your name with the girl Less avant-garde— Leave your name with the girl Just write a plain old melodee-dee-dee-dee-dee-dee Dee-dee-dee-dee-dee-dee
[CHARLEY] They're stopping rehearsals They ran out of money
[MARY] We lasted one issue My book was rejected
[FRANK] The nightclub was raided I have to start coaching
[MARY] My parents are coming
[CHARLEY] They screwed up the laundry
[FRANK] My wallet was stolen
[MARY] I saw the musician
[CHARLEY] We're being evicted
[MARY] I'm having a breakdown
[FRANK, CHARLEY & MARY] We'll all get together on Sunday They're slamming the doors Singing, "Go away!" It's less of a sail than a climb That faraway shore's Farther every day We're learning to ricochet We still have a lot to say...
[FRANK] You know what we'll do?
[CHARLEY, spoken] What?
[FRANK] We'll do a revue
[CHARLEY, spoken] What?
[MARY, spoken] What?
[FRANK] We'll do a revue of our own!
[MARY, spoken] What?
[CHARLEY, spoken] Where?
[MARY, spoken] Why?
[CHARLEY, spoken] When?
[FRANK, spoken] Not just songs, but stories, scenes Piano pieces, mime—
[CHARLEY, spoken] Yeah!
[MARY, spoken] "Frankly Frank!"
[FRANK] A showcase of our own!
[CHARLEY, spoken] Where?
[FRANK, spoken] The club's reopening.
[MARY, spoken] We'll write a lot of new stuff—
[CHARLEY, spoken] Rewrite old stuff—
[FRANK, spoken] What about the girl?
[CHARLEY, spoken] What about the girl?
[FRANK, spoken] Only that we're gonna need a girl
[CHARLEY, spoken] Well, Mary—
[MARY, spoken] Thanks, I don't perform except at dinner
[TWO GIRLS hold rehearsal copies of music, ready to audition. The FIRST GIRL starts, singing shrilly and off-key as FRANK plays.]
[FIRST GIRL] Who wants to live in New York? Who wants the worry, the noise, the dirt, the heat? Who wants the garbage cans clanging in the street?
[FRANK, spoken] Thank you for coming Next eight, please
[BETH] They're always popping their cork—
[FRANK, spoken] Up a tone
[BETH] The cops, the cabbies, the salesgirls up at Saks—
[FRANK, spoken] Up a tone
[BETH] You gotta have a real taste for maniacs—
[FRANK, spoken] Thank you You're hired
[BETH, spoken] Oh!
[BETH] I'm Beth
[FRANK] I'm Frank
[BETH] I really thought I stank
[MARY] I'm Mary
[CHARLEY] Charley
[FRANK] By the way I'm told we open Saturday
[CHARLEY, MARY & BETH] What?!
[MARY] You're not serious!
[CHARLEY] Nobody's ready!
[FRANK] Apparently somebody cancelled a booking
[CHARLEY] The songs aren't finished
[MARY] And what about costumes?
[BETH] And how do I learn all these numbers?
[FRANK] I'll bring you the copies of everything later this evening
[CHARLEY] Not to mention I still haven't Finished the Synanon song or theĀ Kennedy number...
[BETH] Okay, but I'll have to have all the music And Saturday I've got to sing at a wedding Oh God, is there dancing, 'cause I'm not a dancer
[FRANK] You don't have to, we'll segue the End of it into the dance we cut out...
[MARY] And have we decided or not on the restaurant sketch? I need two or three days at the least to replace it...
[CHARLEY] And what'll we do about getting publicity Run around town putting stickers on windows?
[FRANK] No, we'll use it but not with the long introduction...
[FRANK, CHARLEY, MARY & BETH] We'll worry about it on Sunday!
We're opening doors Singing, "Here we are!" We're filling up days on a dime That faraway shore's looking not too far We're following every star— There's not enough time!
We're banging on doors Shouting, "Here again!" We're risking it all on a dime That faraway shore's looking near again The only thing left is when We know we should count to ten— We haven't got time! We haven't got time!