Symphonische Gesänge op.20 (1929) · für Bariton und Orchester nach Texten aus "Afrika singt. Eine Auslese neuer afro-amerikanischer Lyrik", Wien 1929 (Live):Totes braunes Mädel (Lyrics: Countée Cullen) - "Schwarzbraunes Mädel"
Don Giovanni, K. 527, Act 1:Aria. "Or sai chi l'onore" (Donna Anna)
Carmela Remigio, Daniel Harding, Daniel Zalay, Mahler Chamber Orchestra, Raymond Butin
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Dido and Aeneas, Z. 626: Overture
Emmanuelle Haïm, Le Concert d'Astrée, Alain Lanceron, Daniel Zalay, Jean Chatauret, Jiri Heger
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La Resurrezione, HWV 47, Pt. 1:No. 3, Aria, "Disserratevi, o porte d'Averno" (Angelo)
Alain Lanceron, Camilla Tilling, Daniel Zalay, Emmanuelle Haïm, Le Concert d'Astrée, Michel Pierre
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Don Giovanni, K. 527, Act 2 Scene 10:No. 21b, Recitativo accompagnato ed Aria, "In quali eccessi, o numi … Mi tradi quell'alma ingrata" (Donna Elvira)
Véronique Gens/Orchestra of the Age of Enlightenment/Ivor Bolton, Ivor Bolton, Orchestra Of The Age Of Enlightenment, Alain Lanceron, Arne Akselberg, Veronique Gens, Daniel Zalay
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La Santissima Trinità, Pt. 1:No. 1, Sinfonia
Daniel Zalay, Europa Galante, Fabio Biondi
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Dido and Aeneas, Z. 626, Act 1: "Grief increasing by concealing" (Belinda, Dido)
Emmanuelle Haïm/Susan Graham/Camilla Tilling/Le Concert d`Astrée, Alain Lanceron, Camilla Tilling, Daniel Zalay, Emmanuelle Haïm, Jean Chatauret, Jiri Heger, Le Concert d'Astrée, Susan Graham